Writing & Narrative Design
Destiny 2
Bungie hired me in 2015 to create the campaign for what would eventually become Destiny 2. I led a months-long room where we broke the story down, but the writing effort for the entire project was more collaborative and eclectic. During my 3 1/2 years on Destiny, Destiny 2, and their many expansions and seasons, I wrote for cinematics, grimoire cards, mission dialogue, flavor text, and everything in between.
Even with the work I've done for five-star franchises like Marvel, DC, and Transformers, this is still the most widely seen writing of mine. It was a joy and a privilege to create alongside such incredible writers and hundreds of other developers — and a thrill to hear my words come to life through (among many others) Morena Baccarin, Oded Fehr, Bill Nighy, Nathan Fillion, Lennie James, Shoreh Aghdashloo, and the late Lance Reddick.
Writing Samples →
Processes and Pipelines
I've been telling stories professionally for decades, but the (often quite crazy, always unique) ways those stories get from my head to the screen is usually as much of a focus as the finished product.
I've built pipelines converting screenplays to databases and back again. I've used tools ancient and modern, streamlined and obtuse. I've created documentation to rocket-boost productivity and hacked together pitches that coast on aesthetics. I love figuring out the how.
Let Me Fix Your AI Writing
Generative AI is neither the biggest revolution in history, nor is it the biggest about-to-burst bubble since the dot-com crash. Ethical and ecological concerns aside, it's a tool just like countless others in the past and future – and like any tool, it needs a skilled hand to guide it.
A restaurant wouldn't serve food that hasn't been properly seasoned, yet many game studios are serving dishes that haven't even been cooked. I can be your food safety inspector and your Michelin-star chef.
In-Engine and External Scripting
Unrealscript. Python. Lua. Visual Basic. Flick. Skrit. Bonobo. Grognok. No, I didn't make any of those up. Yes, I've spent time working in all of them.
I've wired up wordless cinematics via visual scripting, debugged complex monster fights in text files, and endlessly tweaked gameplay values in editors. And I can't wait to add more to the list.
Systems Design
One of the great joys of narrative in games is seeing how the work bounces off other systems – ideally as early in production as possible! Most of the time, I'm on the content side of that phenomenon, but I've enjoyed my share of systems design as well.
Thinking about story, character, and theme from every possible angle has helped me do the same with mechanics.